On a certain brilliant Spring morning in London's City the seed of the
Story was lightly sown. Within the directors' room of the Aasvogel
Syndicate, Manchester House, New Broad Street, was done and hidden away a
deed, simple and commonplace, which in due season was fated to yield a
weighty crop of consequences complex and extraordinary.
At the table, pen in hand, sat a young man, slight of build, but of fresh
complexion, and attractive, eager countenance, neither definitely fair
nor definitely dark. He was silently reading over a document engrossed on
bluish hand-made folio; not a lengthy document--nineteen lines, to be
precise. And he was reading very slowly and carefully, chiefly to oblige
the man standing behind his chair.
This man, whose age might have been anything between forty and fifty, and
whose colouring was dark and a trifle florid, would probably have evoked
the epithet of "handsome" on the operatic stage, and in any city but
London that of "distinguished." In London, however, you could hardly fail
to find his like in one or other of the west-end restaurants about 8 p.m.