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E-book Ceremonial Storytelling : Ritual and Narrative in Post-9/11 US Wars
Time and again since the beginning of the wars in Afghanistan and Iraq, public discourse in the US has revolved around society’s relationship with its soldiers. Apart from medialized farewell and welcome-home ceremonies, yellow-ribbon campaigns and “I-support-the-troops” bumper stickers, protagonists within this discourse have increasingly expressed concern about how soldiers come to terms with war experience. The public’s obsession with war experience reveals a prominent discursive motif, a sense of crisis and anxiety about the state of civil-military relationships, as the psychosocial aftereffects of war, e.g., veterans’ reintegration troubles and psychological injuries such as Posttraumatic Stress Disorder (PTSD), permeate debates about US wars. These aftereffects are argued over in broad swaths of academic literature ranging from psychology to soci-ology, media studies, literary studies, and beyond. The debate about them fuels the nationwide proliferation of veterans’ centers and programs at university campuses. They are central themes in countless self-help books written by and for veterans and their families, as well as mental-health specialists. Civic-activist projects and NGOs foster public discourse about these effects of war experience. They promote alternative therapies for psychological injury, engage in social work, and encourage veterans to share their experience with the public either in fiction, life writing, performance, or creative arts. Reinforcing this discursive phenomenon, droves of first-person narratives about post-9/11 wars in print memoirs and documentary films reflect this cultural anxiety about war expe-rience. Perhaps most importantly, the integration of such firsthand narratives in the new media, be they blogs written from the war zone or conversations in soldiers’ and veterans’ private social media accounts, vastly expanded and intensified public discourse on war in the last two decades. All these practices manifest US society’s urge to make sense of its contemporary wars and to (re)negotiate its relationship with those who fight them.
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