A white gallery wall is marked out at intervals to a length of twenty-five feet. Stretching out above, black capital letters stamp out the phrase “el cocodrilo de Humboldt no es el cocodrilo de Hegel” (Humboldt’s crocodile is not Hegel’s). Near the end on the left, a crocodile’s eye appears on a monitor; at the right, another shows its tail. José A…
The emergence of the contemporary graphic novel across many regions of the world has been closely implicated with posthumanist thought. Science fiction narratives forged from multiple real and imagined cou-plings between technology, bodies and subjectivities feature prom-inently in the various competing genealogies for the medium. The French bande dessinée tradition,…