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E-book Music of a Thousand Years : A New History of Persian Musical Traditions
In the fall of 2000, I was sitting in one of my classes at UCLA, eagerly awaiting an announced guest speaker. He was coming to teach us about traditional Persian music, one of Iran’s great music traditions. I was excited because I already had some knowledge of Arabic and Turkish music, but at the time I knew much less about Persian music. Arabic and Turkish music had many similarities as well as a shared history, so it seemed that Persian music would relate to these other cultures of the Middle East in some way. But the concept of Persian music clearly refer-enced something different in my imagination. It was an image of great antiquity. Great Persian empires stood in Central and West Asia long before the Arab expan-sion or Turkic migrations overtook these empires, so surely Persian music could be older than music from these other large regional cultures. In my mind, the idea of Persian music certainly carried a unique sense of history and cultural prestige in comparison with these other large language groups of the region.The guest lecturer arrived and proceeded to give us a history of Persian music that met with my expectations. He first established that Persia and Iran were one in the same. When people spoke of Persian music, they were in fact talking about Iranian music associated with the Persian language. He then acknowledged that scholars knew very little about music of ancient Persia, but some vague evidence of Persian music-making was still observable in bas reliefs and other artifacts found among the ruins of the Achaemenid Empire (700–330 bce) and the Sassa-nian Empire (224–650 ce). He began teaching about the known history of Persian music from the same era of history when narrations of Arabic music history often begin: after the rise of Islam, starting around the ninth century ce. My assump-tions were correct: the history he told did indeed portray Iranians as active participants in a cosmopolitan music culture, first in the company of the Arabs and later in the company of Turkic and even Mongol peoples. There had basically been one general set of extensively documented musical principles that Iranians had shared with other language groups of the Middle East for many centuries, within a shared culture that paired Islam with a dynastic system of kingship. As the guest lecturer narrated this history, he highlighted key historical writings and sources on music in the Persian language, focusing on the very important role of Iranians in this extensive, sophisticated music culture.
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