Is museology a theory or a set of practices? Is it a science or just museum work? Is it the same as museum theory? Or is it autonomous from the museum? Is it a philosophy or is it based on social experimentation? Are we evolving towards the path of a metamuseology? If so, what are the boundaries of this ‘museology’ that has shown to have no boundaries in the past decades of theoretical rese…
What is a museum? How do we defi ne a collection? What is an institution? What does the term ‘heritage’ encompass? Museum professionals have inevitably developed answers to questions such as these, which are fundamental to their work, compiled according to their knowledge and experience. Do we need to reconsider these? We believe so. Museum work shifts back and forth between practice and th…
his research was funded by the Alexander von Humboldt Foundation as part of the research award for Sharon Macdonald’s Alexander von Humboldt Professorship, and was carried out at the Centre for Anthropological Research on Museums and Heritage (CARMAH) at the Department for European Ethnology, Humboldt-Universität zu Berlin. I also received financial support from the Ge…
igitalisation and virtual worlds are increasingly permeating the cultural sector and the creative industries. When it is difficult for cultural offerings to find their audience, they can or must actively reach out to their audience. This also applies to museums, which can find and retain audiences in different ways and with different formats. Even a virtual museum is fundamentally a museum. …
Central to the practice of the modern museum sector are the principles of access, inclusion, diversity, sustainability, and community participation (ICOM, 2022). As the curators of our cultural and social histories, the heritage sector is morally and legally required to provide reasonable adjustments to ensure equitable access or all people. The dictionary definition of access is the me…
It has been seven years since the so-called refugee crisis in Europe, andwarfarecontinuestoforcepeopletoleavetheirhomelandstosettleelsewhere.AsIamwritingthis,inAprilof2022,RussiantroopsaretearingapartUkraineand the lives of its people, forcing many people to flee their homes. Forcedmigration is not temporary phenomenon, and historical, ethnographic andcity museums will –one wayor another –c…
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India’s Mughal period. Artworks in the collection have origins from the former…
Leslie Bedford, former director of the highly regarded Bank Street College museum leadership program, expands the museum professional’s vision of exhibitions beyond the simple goal of transmitting knowledge to the visitor. Her view of exhibitions as interactive, emotional, embodied, imaginative experiences opens a new vista for those designing them. Using examples both from her own work at th…
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or…
How is heritage created and re- created, shaped and reshaped, formed, reformed and transformed – or even reborn? Heritage in all its forms endures a lengthy and dynamic journey of emergence, transformation, decline and revival. An object displayed within a museum showcase may have travelled through various places and changed uses more than once before acquiri…