Twenty years ago, very few music scholars examined Broadway musicals. If musicologists were a bit slow to approach the musical theater reper-toire (and they were), theorists and analysts arrived—and are only now arriving—more than fashionably late to the party. We hope that this vol-ume loudly announces that we are here.Music theorists care about musical theater. We kn…
‘The music industry’ is commonly understood as a singular entity that is often portrayed as a place of shared concerns and goals. However, as many observers and academics have pointed out, this singular term is misleading and the very idea of a united place belies the reality which is ridden with tension and full of competing interests and industries (see Sterne, 2014). It is withi…
Over the past 100 years or so, American popular music has gained acceptance at home and abroad. It has become the music that many, especially the young and young at the heart, listen to virtually all of the time. In the United States, the vast array of popular music forms are aired by more than 90 percent of all radio stations. Internationally, both American versions of popular songs and versio…