The research project “Performing Interspaces: Social Fluidities in Contemporary Theatre”, whose primary output is this monograph, began as an imperative to account for spaces that are awkward, evade attention, or, when they receive it, rarely do so because they produce feelings of desirability, warmth, or contentment. These spaces are sometimes …
This edition is a result of a longstanding collaboration between two cen-tres of applied drama, theatre education and research: the Department of Drama for Life, University of the Witwatersrand, Johannesburg, South Africa and the Department of Arts and Media Studies at the Norwegian University of Science and Technology, Trondheim. From 2017 to 2021 this collaboration has included stude…
This is the first volume of the story of a tiny theatre company in a distant part of the UK that operated like a political cell; or alternatively, of a political cell that operated as a theatre company.A39 Theatre Group came into being because of the great Miners’ Strike of 1984–85. It embraced the label ‘agitprop’ as a badge of honour. A39 was moti…
Friedrich Schiller wrote Love and Intrigue (Kabale und Liebe) in 1782 after having fled from his native Württemberg, and completed it in early 1784. It was ready for the first stage performance in Mannheim on 13 April 1784. Duke Karl August, the ruler of Württemberg, had not appreciated Schiller’s talent and was more interested in his services as …
While we were researching theatre in towns for this book, a perfor-mance was taking place across Europe. Little Amal, a giant child- refugee puppet, began a walk from Gazientep in Turkey, close to the Syrian border, a city that had become home to half a million refu-gees during the ten-year-long war. Little Amal travelled more than 8000 kilometres be…
The aim of this book is to investigate the performance history of Henrik Ibsen in the Ro-manian theatre from the end of the 19thcentury to the first half of the 20thcentury.On the one hand, the quantitative analysis of data on the early Romanian produc-tionsofIbsen’splaysbetween1894and1947revealsthathewasnotperformedwithgreatfrequency in either the major state or independent theatres. Yet, it…
This article aims to analyze the composition and structure of street theatersin Chang’an, the capital of the Tang Dynasty in the early 9th century, mainlybased on the novelThe Tale of Li Wa(???).The Tale of Li Wais a love storywritten by Bai Xingjian, a scholar-official; however, it was adapted from astreet play performed by wandering entertainers in Chang’an (Seo 1987b: 476-505).The Tale o…
The auto-ethnographic components and analyses in this book are shaped by projects that I have used a variety of terms to name: Community Theatre, Theatre for Social Change, Applied Theatre, Social Theatre, and Political Theatre. While I acknowledge that each of these terms comes with its own histories and complications, the issue of nomenclature is not one that I enga…
Exploring the legitimate scope and space for theatre in a conflict zone like Kashmir is an extremely uphill task. It involves many social, cultural, religious, political and economic challenges, and above all, the risk to one’s life, property and reputation. Jammu and Kashmir have been a bone of contention since 1947, when this Subcontinent was divided…
In his introduction to Irish Drama and Theatre since 1950 (2019), Patrick Lonergan outlines the genealogy of the #WakingTheFeminists movement, which began as a contestation of how the Abbey’s 2016 Waking the Nation programme marginalised female playwrights and directors, but quickly expanded to raise awareness about the precarious position of women in …