The composer Sir James MacMillan has called music ‘the most spiritual of the arts’, and for many people, both religious and non-religious alike, this rings true.1 But what do people mean by ‘music’ and ‘spiritual’ in this context, and what is the nature of their perceived relationship? Do certain kinds of music more readily afford spiritual experiences than others? What …
In Sacred Music in Secular Society, Jonathan Arnold highlights a strange phenomenon: ‘the seeming paradox that, in today’s so-called secular society, sacred choral music is as powerful, compelling and popular as it has ever been’.1 The explosion of new media through the internet and digital technology has created a new, broader audience for ‘the creative art of Renaissance polyphony …