While a larger history of medieval Indian theatre, comprehensively accounting for its different literary, theoretical, and performative strands, still needs to be written, the ambition of the present study is to explore the emergence of an original debate on the nature of dance and dramatic acting in the Abhinavabh?rat?, Abhinavagupta’s eleventh-century commentary on Bharata’s N??ya??stra. …
Most of the following contributions are based on a two-day workshop held in February 2020 at the Vitromusée Romont, the Swiss Museum of Stained Glass and Glass Art, to commemorate the exhibition Reflets de Chine: Trois siècles de peinture sous verre chinoise, one of the first exhibitions in the West that presented a major survey dedicat-ed to Chinese reverse glass painting, tracing its long h…