This book was named one of "10 Management Classics for 2022" by Thinkers50. Why can some organizations innovate time and again, while most cannot? You might think the key to innovation is attracting exceptional creative talent. Or making the right investments. Or breaking down organizational silos. All of these things may help—but there’s only one way to ensure sustained innovation: you n…
Behind all the food that we eat is a vast realm of unaccounted for interactions:the diversion of water from rivers; the extraction of nutrients from soil; thedischarge of pollutants to air and water; the exaction of labor to grow, manage,pick, and package; the release of carbon dioxide to transport and deliver; and soon. When we shine a light on these interactions it becomes clear that a 99¢ha…
In Ways of Seeking, Emily Drumsta traces the influence of detective fiction on the twentieth-century Arabic novel. Theorizing a “poetics of investigation,” she shows how these novels, far from staging awe-inspiring feats of logical deduction, mock the truth-seeking practices on which modern exercises of colonial and national power are often premised. Their narratives return to the archives …
The world is facing a biodiversity crisis and around 1 million animal and plant species are estimated to be threatened with extinction (IPBES, 2019). Trees are highly visible in most landscapes and are excellent biodiversity indicators. They are ecologically, culturally and economically of vital importance and yet there have been surprising gaps in knowledge of the diversity, distribution, abun…
The 1st Edition of The Ethnographic Case, published in 2017, was an experiment in post-publication peer review, with the book published online and open to comments from readers. In this new 2nd edition, to be published later this year, the editors and authors have updated the text, both in response to these comments and taking into account changing contexts in the years since the book’s first…
As for colours I would say I tend not to use them. I usually focus on black and white images, sometimes with various tones of gray, but when I do use colours I like to use toned down, unsaturated colours to create a more atmospheric feeling in my work.
This edited volume highlights how institutions, programs, and less commonly taught language (LCTL) instructors can collaborate and think across institutional boundaries, bringing together voices representing different approaches to LCTL sharing to highlight affordances and challenges across institutions in this collection of essays. Sharing Less Commonly Taught Languages in Higher Education sho…
A personal word: many years ago, when we were first developing the United StatesHolocaust Memorial Museum, we struggled with the issue of how to end the perma-nent exhibit. We had come up with an appropriate beginning that would serve thefunction of taking visitors off the National Mall, taking them back what was thenfifty years in time, moving them a continent away and introducing them to a Eu…
April 2020. It had begun as little more than a flicker on a news feed, a tiny spark in a media agenda that was already crackling with the electric charge of a world increasingly divided. But as the Covid-19 crisis began to take hold, with every new outbreak confirming its deadly horror, two opposing phenomena very quickly began to emerge. The first was a kind of global solidarity in…
Stationed in Alsace in 1939 and 1940, during the so-called phony war [drôle de guerre] that preceded Nazi Germany’s invasion of France, Sartre con-templates the structure of adventurous and gritty travel, pitting it against the seemingly mundane practice of tourism, but ultimately locating an in-delible link between the two. As he describes it, even his attempts to break through th…